Cawley, Lisa

dc.contributor.advisor	Dr. Carville, Justin
dc.contributor.author	Cawley, Lisa
dc.date.accessioned	2021-11-15T18:17:14Z
dc.date.available	2021-11-15T18:17:14Z
dc.date.issued	2012
dc.identifier.citation	Cawley, L. (2009). "Behold" photography, memory and material culture. Institute of Art, Design and Technology	en_US
dc.identifier.uri	http://research.thea.ie/handle/20.500.12065/3836
dc.description.abstract	Historian and theorist Martha Langford has defined the family archive as a "meeting place". This metaphor generates a context for the performance of tactile and sonic registers. As the archive is awakened by the hands that meet photographic materiality and the voices that create narrative frameworks, the "so-called" still and silent photographic form becomes not effectively animated but "affectively" animated. The archive lies at the heart of this investigation as the beholding thread of photography, memory and material culture looks at the vernacular. The vernacular snapshot recorded the everyday, thus constructing a visual and material history. In return this tangible history creates a framework for the haptic and a context for the "affective" experience.	en_US
dc.format	application/pdf	en_US
dc.language.iso	eng	en_US
dc.rights	Attribution-NoDerivatives 4.0 International	*
dc.rights.uri	http://creativecommons.org/licenses/by-nd/4.0/	*
dc.subject	Family archive, Photography, Memory, Material culture	en_US
dc.title	"Behold" photography, memory and material culture	en_US
dc.type	info:eu-repo/semantics/masterThesis	en_US
dc.contributor.affiliation	Institute of Art, Design and Technology	en_US
dc.rights.accessrights	info:eu-repo/semantics/openAccess	en_US
dc.subject.department	Master of Art (Research)	en_US